Abstract
The article examines how the participants of the discursive scene are constructed from the study of the voices that the speaker unfolds in the texts that characterize a certain historical conjuncture. All discursive scenes are populated with voices. The modalities study; in as much expression of the speaker attitude as opposed to its statement; is proposed as an instrument that allows undertaking the study of the discursive participants. We focus on the analysis of a text signed by the feminist Hermila Galindo;“La mujer en el porvenir”; that she send to Primer Congreso Feminista de Yucatán; called by governor Venustiano Carranza in 1916.
Estudios de Lingüística Aplicada is licensed under a Creative Commons Attribution 4.0 International license.